The Final Film of Laurel and Hardy: A Study of the Chaotic Making and Marketing of Atoll K, a detailed behind the scenes look at the making of Laurel and Hardy’s final film
Book Description: The Final Film of Laurel and Hardy: A Study of the Chaotic Making and Marketing of Atoll K
The remarkable story behind the planning, development and marketing of Laurel and Hardy‘s ill-received final film, Atoll K, has been little explored. Details on the script development, cast, crew, locations, and even basic information on running times and release dates have been sketchy at best since the film’s 1951 release. This work reconstructs the circumstances surrounding this unusual international co-production (Atoll K was a French-Italian film with English-speaking stars).
Through lost documents detailing the film’s production and funding, previously unreleased behind-the-scenes photos, and a rare interview with French movie star Suzy Delair, the author explores the continuous changes to the film’s script during its chaotic production and the final marketing of the film’s many different versions (Atoll K was also released as Robinson Crusoeland in the United Kingdom and as Utopia in the United States). Several appendices detail alternative sequences and cut scenes in various versions of the film and include French box-office reports from 1951 to 1952 as well as a complete filmography.
Product description of The Final Film of Laurel and Hardy: A Study of the Chaotic Making and Marketing of Atoll K, courtesy of Amazon.com
While it once seemed that everything worth knowing had been written about Laurel and Hardy‘s ill-received final film, the remarkable story behind the planning, development and marketing of Atoll K has remained strangely unexplored. Consequently, existing details on the cast, crew, locations, and even basic information on running times and release dates were sketchy at best. This work reconstructs the circumstances surrounding this unusual international co-production (Atoll K was a French-Italian film with English-speaking stars).
Through lost documents detailing the film’s production and funding, previously unreleased behind-the-scenes photos, and a rare interview with French movie star Suzy Delair (Cherie Lamour), the author explores the continuous changes to the film’s script during its chaotic production and the final marketing of the film’s many different versions (Atoll K was also released as Robinson Crusoeland in the United Kingdom and as Utopia in the United States). Several appendices detail alternative sequences and cut scenes in multi-lingual versions of the film, French box-office reports from 1951 to 1952, and a complete filmography.
About the Author
Norbert Aping is a judge and district court director and Doctor of Media Culture.